![]() Still, any aversion to Djinji's indulgences was easily commutable compared to those of headliner DJ Spooky. He seemed too concerned with revealing his roots than with making sure listeners could firmly put their root down. Unfortunately, he set a precedent for the rest of the night by trying a little too hard to make a point between the bass dips and flute trips, salsa and samples, drum 'n' bass and dub. Bobbing and weaving like a tribal shaman caught in traffic, Djinji played the kind of multi-ethnic, polyrhythmic Nuyorican soul that in the right hands can be both spiritual and spirited. The son of Georgia-born avant-garde saxophonist Marion Brown, Djinji segued his own tracks with occasional John Coltrane bits while repping strictly in rhyme. The jams' friction-burned grooves offered a warm welcome to latecomers.Īfter the hometowners came a homecoming of sorts, as the ATL-born, boogie-down-Bronx-bred Djinji Brown took the stage to promote his album, Sirround Sound. The group's jazzy, relaxed interchange smoothly transitioned into the head-bobbing records - LL Cool J, Big Daddy Kane, A Tribe Called Quest - that buffered the set changes. ![]() The first to take the crowded stage was Psyche Origami, the local trio of MC Wyzsztyk, DJ Synthesis and DJ Dainja, whose dialect reactivates Native Tongues styles. Miller, aka DJ Spooky That Subliminal Kid, presented both a showcase and a show of mixed media and mixed messages to promote his album Optometry, part of Thirsty Ear Recordings' Blue Series Continuum of nu_bop explorations. 17 - Appearing with drummer Mike Clark of Herbie Hancock/ Headhunters fame, New York "illbient" producer Paul D.
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